How It Works
Mastering is the final creative and technical stage before release. It is careful listening, possible audio processing, and bringing the music up to release loudness. It is polishing, shaping, sequencing, and creating a flow that makes the record cohesive. Whether it is a single, an EP, or an album, I want the finished master to be the best version of the music you made.
If you have any questions, or there's something about the record that feels hard to explain, please let me know. The best sessions are collaborative. Feel free to use any wording you want to try to describe what you are after - talking about music is hard, and I'll do my best to try to translate what you mean into audio changes.
The mastering process
First listen
I start by listening to the entire mix before doing anything. I want to hear what the song is already doing well, and then try to enhance it. If I feel like something could be better fixed in the mix, I will get in touch.
Mastering starts
This is where EQ, compression, saturation, level, stereo work, and limiting come in - but only when they help the music. I'm not trying to stamp a sound on top of the mix, but to bring out the energy that is already there.
For EPs and albums, I think about how the record feels as a whole. Levels, tone, gaps, fades, and energy all matter because the listener experiences the release as a journey. You will most likely already have the EP or album sequence figured out yourself.
Alternate mixes and formats
Once the main masters feel right, I prepare any extra versions you need: instrumentals, clean edits, vinyl pre-masters, DDP images, or other release formats.
Quality check
I check that the files open properly, the starts and endings are intact, and nothing unwanted has slipped through.
Review and delivery
You listen through a private Samply approval link. If you'd like something changed, please let me know. Once approved, the final masters are delivered to your private project page as release-ready files.
The files you receive
Digital master
24-bit/48 kHz WAV masters for distribution, 16-bit/44.1kHz WAV files (still needed for certain distributors), and reference MP3 files for listening and sharing.
DDP image
A separate master for CD manufacturing.
Vinyl master
A separate master for lacquer cutting or pressing.
Alternate versions
Instrumentals, clean edits, radio edits, or other versions you may have requested.